my health, my health
your kingdom for my health.
I gritted my teeth for so long
that they have become sand,
and I am not a liar,
so I will not deny that I pray
for your body to be cystic,
anxious, cancerous, unappealing.
I don’t believe in god at all,
yet I clasp my hands to my face
like a raggedy Carmelite
cloistered in my living room.
at least I have a living room-
where do you imprison yourself?
you don’t believe in anything but
your own superiority.
hopefully that will be your
encrusted downfall,
an intellectual toaster
in the bath, as you scream
“this cannot happen to me!
I read Vonnegut!”
my anger has turned into a
hot spare tyre.
of course, I cannot
scream in Abbey National
or the Docklands arena
or the Blockbuster Video
like my Divine mother
once did.
I just swallow the burning.
the sand in my mouth helps.
Tag Archives: love
open and close
12 may
the leaving of one
makes a heartbreak, a hole.
a space so them-shaped
but not empty;
it has electric borders,
charged with
all they made, and left.
it is not a black thing
not a hollowed trench,
waiting for a new inhabitant.
clear new curtains draw,
but they do not block us out
or shut them in.
they only preserve.
they are not now a thing to
be held in a hand,
and that opening and closing palm
leaves a stain, irremovable.
but the rest stays.
all the rest, it stays
in a living network of roots
some we see,
some invisible, but no
less real than the scar of a lightning bolt
or the crashing of a wave.
they live inside laughter belonging to
the ones we love,
the ones that we still can touch.
those roots cannot move on,
cannot go gently, or loudly,
into that good night.
they are too imbued with spirit
they connect us far too well.
the touch of a hand is sorely missed
but all that meaning lives alive forever.
apples
scarecrow,
you cruel bastard.
you never scared the birds away.
the little sparrows used to line up
on your tattered jacket sleeves
and they’d sing into your false ear.
they should have been frightened.
I had a field of fruit trees.
I put you in there, amongst
the bright green granny smiths.
they were mine. they were mine.
the birds weren’t interested, but
acid poured out of your rotting guts of straw
it burnt holes in my crops.
you did not do your job,
you cruel bastard.
you did not protect my apples at all.
apples are not supposed to bleed
but my neat orchard was broken
and awash with a clotted red river.
you were not the last, either.
I got better at making scarecrows
no thanks to cruel bastards
or bad fruit that stewed on my tongue.
I don’t need a cruel blue doll
like you around any more.
I have covered the orchard with electric nets.
the birds die, but they come anyway.
fingers
somehow I know, already
what you have inside your hand
safely kept in your gentle fist
two seeds of an amethyst flower
common, but still something so precious
they rattle inside your fingers
and leave their dust behind
saturating the lines in your skin,
turning your scars a little black and dirty
the clock has not been ticking long
dear, but I know that these seeds
of purple and white
are what you are going to give to me.
despite my prior protestations
and yours, I know that they are mine.
you cannot explain why you would
trust me to keep these valueless, precious things
of yours. neither can I,
but somehow you have the talent
to make me feel like I am a mother of the earth-
damarian queen, growing your seeds into crystals-
when I thought I was a sea of fire,
who turned forests into barren deserts of ash
and homes into burning rings of hell
anderson
I am like the east-end once was, too
not like you, in your old-world charms
more a smouldering widow, more like
whitechapel in the wartime. fieldgate street
burning, the collapsed fifty shilling shop and
gaping blank holes in the rows of houses.
visibly, you can see
that I am missing a few bricks.
I am a city, vibrant, of violent scars.
I still stand, despite iron girders
hanging off me like balloon strings
they are heavy, you know-
but she tells me that if I take them off
well, the whole damn thing will fall down.
and life is worth it, even if it is a siege.
I clatter and moan and whistle in the night.
I know you darling-
I know you forget your Anderson shelter
even exists, when you flutter your eyes and
get squelched tight in the peat bog.
you should go, you should go.
I don’t want you to die here
on my street-
I don’t want you to become a hole in the row.
I am a war
I am telling you. a total war-
and you will wish for peace
once you have seen past the
pretty pinny I wear, the dust-scarf
in my hair-
I know, I remind you
of something you know.
but I am not that-
just an itchy glow.
hole
I watched him die
slowly
six years,
three quarters of my little life
I watched my mother die
next to him
although her body did not decay.
I watched her
ripped apart by love
spit and stamped on by love
I watched her clean up
puddles of love’s vomit
heard her drown in it
wailing for release.
the cries of grief are not made of rocks or sand.
I watched my brother
my sister, die
over the years to come
and I watched myself die, too.
how could you expect us to live
after seeing what life can do?
the rancid stench of sickness
stuck heavy like petrol in our air
the honey of hell
dripping off our tongues.
and what could be done?
we could not ask
Mother for help
because she died that night
just after he turned into yellow stone
she died as his mind bled out his ear
as his eyes, still blinking, became foreign
she died as she fed him (dutifully)
raised us (dutifully)
cleaned him (dutifully)
stacked supermarket shelves (dutifully)
told everyone he was sick and dying (dutifully).
and so it was that she died,
dutifully.
all those little deaths will kill you,
eventually
and you only realise when you ask yourself to love
and there is nothing but a dried up hole
in your heart, where love is supposed to live.
then, the fleeting offer of degradation
seems prettier than the promise of forever.
“you fools don’t know that forever will be what kills you!”
screams the hole, the little mouth
such a loud voice for something so
extinct.
what if he dies those
long little deaths
before my eyes,
dragging me down to hell
as my father did to her?
and I, the fool in love
will I sit dutifully as he dissolves and churns, alone?
a whole life’s sacrifice for love,
only for him to die on me?
my
this psychology is so complex
withered roots tangle and kiss in my
little mouth of little deaths
learned the lesson that love is pain
love is death
love is grief and anguish
and put my theories to the test more than once
proved tout a fait
so suffer, screams the hole.
good reason dictates life is worth it,
suffering only a lesson
just neurons and nerves
but good reason cannot answer to
fear that feels bigger than all of existence
to pain that sets my face on fire,
turns m limbs into twigs and
my breath into acid.
but will you die on this hill, girl?
will you take that left fork
and cut off you arm
to stay alone, safe?
it’s what they all sing about
love, love, love.
and I know now that life is lovely
at the very least
and that good reason
it dictates love is not
always loss.
but I have to feel it
to believe it.
I have to open that gate
oil the rusty hinges
find a compass through the noise
and chatter of death,
let my feelings marry my reason.
life is not living if
controlled by fear, after all
and maybe it is a bird that I need
to string to my wrist
and guide me home.
Protected: direct messages
itch
05 09 18
you bit me all those years ago
sucked the blood from my heart
permissively, engorged your own
and I scratched away fervently
not letting the scab heal.
I scratched and scratched
until a little hole was formed, junkie-like.
I know better now
you bloodsucker, poison-leaver
heart-fucker
but I cannot unscar skin and muscle.
you are my permanent injury.
I abstain from scratching
but the itch still remains
potent,
as it ever was.
daughter
2017. excerpt from a song
my brother’s your other
I would have had your daughter
I’m not the tiny creature
you think I am
I’m the big bad wolf
incubus succubus
evil eagle pecking out your eyes
I could have stayed and laid
there forever with you
forever with you
you leak out of my eyes
like a traumatic head injury would
I could have stayed and laid
there forever with you
I don’t know what
I want from you
but I know I don’t
I don’t want you
diamond
27 10 17
I wonder what they think I am
do they think I am
a hard diamond orb of a woman?
it is what I try to
make them see
(it is a lie)
I line my shortcomings
up neatly on the mantelpiece
stacked on each side of the
ticking clock,
so I can see every one.
the orb you see is not real
but a perfectly crafted vision
a trick for your eyes
I am trying to be vulnerable
I am trying to be the best.
the two are
mutually exclusive
the clock keeps ticking
but it makes no sense to me
and I keep on in a story –
like I am the master of time –
but the numbers slide off
the face,
and maybe I really
understand what Dali meant
orbs are nothing but a ghost story.
I may as well speak in the voice of
a television medium.
watch this show with caution
as everything within it
exists only for your entertainment